Moreover, using heightened speech indicates that these characters are in a very different world from our own – a world of intense passion and theatricality. In addition to Queenie and Burrs being performers, many of the other guests are performers, and the party itself becomes a kind of performance, particularly on Kate’s behalf as she tries to seduce Burrs. Many of the songs themselves are performative to a degree: a song like “Let Me Drown,” for instance, has raucous, fun dance music, but desperate, sad lyrics. This contrast makes it clear that the hedonism of the party is simply a cover for the emptiness the guests actually feel.
Tuesday, March 22, 2011
Wild Party research...
I love this little blurb from MTI's website about the rhyming speech in 'The Wild Party':
Much of the show is made up of songs, often character-driven, without much recitative. Since the amount of spoken line between songs are minimal (and often nonexistent), there’s not really a feel of transitioning from song to scene to song; the show and its characters continuously live on the song plane. Having those characters rhyme when not singing keeps them on that level, as they’re essentially speaking lyrics that aren’t set to music. This emphasizes and maintains the heightened emotions of the party. Since speaking in rhyme generally means speaking in rhythm, doing so also keeps the show’s momentum, as there are no energy drops between songs.
Moreover, using heightened speech indicates that these characters are in a very different world from our own – a world of intense passion and theatricality. In addition to Queenie and Burrs being performers, many of the other guests are performers, and the party itself becomes a kind of performance, particularly on Kate’s behalf as she tries to seduce Burrs. Many of the songs themselves are performative to a degree: a song like “Let Me Drown,” for instance, has raucous, fun dance music, but desperate, sad lyrics. This contrast makes it clear that the hedonism of the party is simply a cover for the emptiness the guests actually feel.
Moreover, using heightened speech indicates that these characters are in a very different world from our own – a world of intense passion and theatricality. In addition to Queenie and Burrs being performers, many of the other guests are performers, and the party itself becomes a kind of performance, particularly on Kate’s behalf as she tries to seduce Burrs. Many of the songs themselves are performative to a degree: a song like “Let Me Drown,” for instance, has raucous, fun dance music, but desperate, sad lyrics. This contrast makes it clear that the hedonism of the party is simply a cover for the emptiness the guests actually feel.
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